Bophana Center Open to Public

Some scenes from the opening of Bophana Center, December 4, 2006.
Many guests and some speechifying in French, Khmer and English.

Now open to the public every day from 2:00 to 5:00 pm.

It looks to be a good resource for film, photos and more in Cambodia, maintained by a local nonprofit linked with many international supporters.

(For more details, check out the articles in the current Phnom Penh Post (December 15-28) or Cambodge Soir‘s extensive writeup (printed just prior to the opening). Online more can be found at www.bophana.org)

Bophana

Opening crowd

Bophana

Dedications.

Tags: ,,

Rockin’ in PenhVille

Rockin’ in PenhVille

Betty Ford and GT Falcons

Long overdue to web up this photo from the Zeppelin gig, crammed full of players and punters, including rawk aficionado Mr. Khmerang.
Congrats to Matt (far left), back in action after a bout of Dengue.
Coming soon: the Unofficial Unauthorized Betty Ford and GT Falcons Web Page.

Tags: ,

In Search of Khmer Hip Hop Part 8: Tiny Toonz

We’re climbing up the stairs in a house in Central Phnom Penh when I hear the unmistakable beats of ‘Planet Rock‘. Right away I’m feeling at home.

Hip Hop

Young people ranging from about five to twenty-five are giving it their all.

Hip Hop

‘KK’ oversees Cambodia’s only established hip-hop dance group. Deported to Phnom Penh, he had little to fall back on, but breakdancing was a unique job skill that put him on the map.

hip hop

Now, nightly, up to 20 kids, male and female, come to practice their routines and get schooled in hip hop culture. I’m visiting with Claire, who’s checking out ‘social enterprise’ organizations, and some filmmakers. But for the first half hour we’re just slackjawed at all the moves.

KK and some of the others wear protective gear. Just like any variety of sports, there are hip hop related injuries to watch out for – mainly for the back, wrists and head.

While the group has performed at a number of prestigious events, they are still running on a shoestring. There isn’t a huge demand for breakdancing here, and the kids are a little cocky sometimes because they are the *only* game in town.

The majority of the regulars are from lower-income families. KK has a story about each kid and lots of tales of the daily struggle to keep the troupe on track. He works by day for KHANA, an NGO involved in HIV awareness/prevention.

Some days he arrives home and there’s no time to eat, just dance. They’ve got a pretty spiffy website that was done for them, but don’t let it fool you, it’s pretty much run on goodwill and optimism. Bridges Across Borders has pitched in for some help on the admin side, when people want to donate money.

The few older people involved in Tiny Toonz seem to be part of the KHANA network. ‘People at risk helping people at risk’ is how I would sum it up.

And there may be changes ahead – with all the evictions underway in Phnom Penh, the troupe is unavoidably being split up. Their biggest need right now? A van to get the kids to and from practice and gigs.

hip hop

Above: KK goes all perpendicular: “If I don’t dance, they don’t dance.”

More pix and news in the near future. For now:
http://www.tinytoonescambodia.com
http://cambodiamorning.blogspot.com/2005/12/break-dancers-of-bassac.html
http://exceptional-lives.blogspot.com/2006/12/hip-hop-revisited.html
http://en.wikipedia.org/wiki/Cambodian_American_Repatriation
http://del.icio.us/slugdog/HipHop

Tags: ,

Cafe Dantrey Interview

Cafe Dantrey Interview

Cafe Dantrey Photo

1. How did the idea for the radio show come about?
The idea came from Nicolas Lim, the cultural attaché of the French Embassy.

2. What is the main purpose of the show? What is its format?
The purpose of Cafe Dantrey is to share French culture by way of music, and we talk about it in Khmer language.

First, we discuss about a French group or artist (by Lida and Sarah), then we also introduce a Francophone singer – an artist from any country who sings in French. (With Ta Rethro, from Quebec).
We also talk about what’s going on at the French Cultural center (exhibitions, cinema, etc.) with Sopoi our technician.

It is important for us (the show staff) and for the audience, to have fun, because it is only when we feel good that we can really communicate.

3. Who participates in and produces the show?
The participants are cited above, it’s produced by the French Embassy.

4. What stations broadcast it?
FM 103 in Phnom Penh, 12:10 to 1pm. Also FM 100.5 in Siem Reap and Sihanoukville.

5. What has audience reaction been so far?
Rethro: A motodop in front of the CCF told me he really liked it, and that he listened to it on purpose because it was French music, he said he could now understand why some people liked French music.

Lida: a Cambodian friend of mine who lived in France told me she likes it because she can listen to the music she used to listen to in France and then she also discovers other artists in the francophone music part.

Sarah: A Cambodian friend of mine told me his father who speaks French liked it, he was stunned that his father knew some of the singers we had talked about!

Tags: ,

Pchum Ben Lecture

Pchum Ben

Announcement:
Lectures / Talks / Discussion Series
Pchum Ben
The Fortnight of the Dead in Cambodia
by Siyonn Sophearith (in Khmer)
Friday, December 15, 2006
5:30 to 6:30 pm followed by Q&A

This event is part of a series of Reyum’s public education program supported by
The Albert Kunstadter Family Foundation and the Rockefeller Foundation.
Reyum : #47, st. 178, Phnom Penh, Cambodia (near the National Museum).

Tags:

« Newer Posts - Older Posts »