A tidbit courtesy Silong Chhun.

In the 1980s and 1990s, there were weren’t so many books and films about contemporary Southeast Asia in the West.

To be considered a scholar of Cambodian history, the first step was to simply read everything on the topic. And there wasn’t that much explicitly about the country or the area. It was simply “read everything, watch everything”.

Today I’m pleased to observe that’s not entirely possible. There are many more books, publications, films, comics and music. And many more in the voices of Cambodians themselves.

This is a cheesy Disney TV movie. Those who can speak Khmer won’t hear much of it. But as people have pointed out, it was an attempt to show real-world situations, and one of the very first opportunities for Khmers to recognize themselves in the media.

Additional background:
http://www.nytimes.com/1983/04/30/us/mexican-food-trips-asian-refugee-in-spelling-bee.html
http://www.people.com/people/archive/article/0,,20093030,00.html
http://www.apnewsarchive.com/1986/Teen-Ager-From-Cambodia-Says-Freedom-Spells-Something-Else-For-Her/id-3cd3445b0182fbe07a94f156357b3f30
http://disney.wikia.com/wiki/The_Girl_Who_Spelled_Freedom
http://www.imdb.com/title/tt0091115/
http://www.daltondailycitizen.com/news/local_news/refugee-tells-students-of-childhood-survival-in-asian-jungles/article_ec8e9615-dbb9-5fc7-b2e9-52b4690fe526.html
http://www.thedepauw.com/news/view.php/13388/DePauw-alumna-Linn-Yann-featured-in-made
http://www.timesfreepress.com/news/local/story/2013/jul/14/whatever-happened-to-catching-up-with-girl/113266/

Don’t Think I’ve Forgotten: The Story of Cambodia’s Lost Rock and Roll from Daniel Littlewood on Vimeo.

There was laughter, more often tears. Some from me.

Many of the surviving people featured in the film were there for a frustratingly brief panel afterwards.
Each one was worthy of a full evening  on stage: the sister of Ros Sereysothea, Sin Si Simuth‘s son, Vann Molyvann, David Chandler. We got a half hour.

The concert following was cathartic and gratifiying. (Click for video)
I haven’t seen the the arts community come together in such numbers since, well, Ingrid Muan‘s funeral in 2005. And this was for a much more positive evening.

As with other films supported by the Documentation Center of Cambodia, I’m hoping it will tour Cambodian villages as well as get a theatrical release.

http://www.cambodiadaily.com/news/a-lost-but-not-forgotten-rock-n-roll-legacy-50440/
http://www.phnompenhpost.com/7days/long-awaited-film-tells-tale-cambodia%E2%80%99s-musical-%E2%80%98golden-age%E2%80%99
https://www.facebook.com/CambodianRock/
http://cambodianrockblog.tumblr.com/
Postscript:
http://www.phnompenhpost.com/lifestyle/%E2%80%98golden-age%E2%80%99-singers-endure-bittersweet-screen-tribute
http://theadvisorcambodia.com/2014/01/remembering-cambodias-lost-rock-n-roll/

(Above: talk at Meta-House last night).

I had missed seeing it the first time and was quite moved to see how the film quietly and powerfully demonstrated how environmental and social change were affecting Cambodian communities and families.

The film makers are also doing some ‘follow up’ meetings (below) with the subjects of the film, who continue to struggle to keep their families healthy and secure.

Also in attendance: opposition Assemblywoman Mu Sochua, who shared her thoughts in the Q&A but did not seem to be there in an official capacity.

Below: update on one of the film’s subjects, Khieu, as she votes in the election. Kalyanee noted she’d had to pull a 24 hour sewing shift in order to make sufficient overtime to vote while keeping her financial obligations.  (Ouch!)

If YOU want to arrange a showing of the film, please contact the Documentation Center of Cambodia. DC-Cam will be having screenings of the film during working hours on Fridays for the near future. (I’ll update this post with any additional screenings if/when I get word.)

http://ariverchangescourse.com/

https://www.facebook.com/ARiverChangesCourse
https://twitter.com/ARiverChanges
Contribute: https://rally.org/ariverchangescourse

But wild horses couldn’t have kept me away from this year’s FilmCamp.

Like the label says: it’s a meeting of film enthusiasts. In Phnom Penh, Cambodia.

I’d first encountered the organizers ‘Kon Khmer Koun Khmer’ at their amazing ‘Golden Reawakening’ film festival, capped by a euphoric dance party featuring 60s-70s era rock and period clothes. It set a precedent that was hard to top.

Many of the participants (such as Sithen Sum, Kounila Keo) came from the world of Cambodian blogs. Remember the world before Facebook? That’s how a lot of us used to communicate.

Many of these bloggers were older than the films they were unearthing: children of the 1980s postwar baby boom unearthing classics from the 1960s and early 1970s. For them, it created a fascinating cultural bridge to a time long gone by, the culture of their parents.

Many of us (local and foreign) had met informally. We’d seen blogging and internet use expand dramatically after the ‘Personal Information Technology’ workshops. Then events like the Clogger Summit / Clogger Corner – and especially BarCamps – helped this community cohere.

For most us, BarCamps were an annual convention of comeraderie both for the Khmer blogging community and foreign enthusiasts who took interest – like Preetam Rai of Global Voices, tech pundit Beth Kanter – as well as a growing number of overseas Khmer and in-country barangs (like yours truly). Due to the fairly late introduction of Khmer Unicode, most blogged in English, making the Khmer blogosphere (if such a thing could be labled) fairly easy to explore for the international community.

A BarCamp is an ‘unconference’ – made up on the spot, democratic and just a bit anarchic. And thanks to the Cambodian government’s largely laizzez-faire attitude towards the internet, blogging is not a controversial activity as it is in many neighboring countries. The BarCamp/Unconference ideals of open attendance and open content have begun to become ingrained in Khmer youth culture. (Two weeks ago, Cambodia had its first ‘TechCamp’.)

Which brings us this year’s FilmCamp. I’m seeing many of the familiar faces from BarCamps, showing the same level of enthusiasm for a quite diverse collection of screenings, awards and discussions that must have kept the team up late planning and organizing. It’s great to see more partners jumping on the bandwagon, from business sponsors to other film entities. I’m not sensing any apprehensions about censorship, (though I should note that my Cambodian friends have a finely tuned second sense about exactly how far to push a topic or discussion).

Why was I so intrigued? It’s great to see the the model of technology-oriented BarCamps and Unconferences specifically applied towards culture – indeed, any area of discussion. This is a great, accessible model for opening up artistic discussion in a framework that feels safe and nonthreatening.

What could be next? LitCamp? ArtCamp? The sky’s the limit.

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Addendum #1 – Brief FilmCamp observations:

• Held at Pannasastra University, there’s a lot less tweeting and Facebooking than your average tech meeting.  But then, this is more about culture.  I think the urge to say ‘Hi, I’m here!’ is fading as youth get more sophisticated with their smartphones.
• The FilmCamp team was clever to get sponsorship from companies like Sabay.com and Legend Cinemas. I’m seeing an inverse proportion between advertising presence and cinemas/organizations having legal screening rights.
• There are many filmmakers / film facilitators here, some of who take opposing views about the state of Cambodian film. They’re all on their best behavior.
• During the awards, a taped message from a Vietnamese filmmaker notes that he was surprised to learn about Cambodian filmmaking efforts, and enthused to meet like minds. He closes with ‘Akun’ garnering a wave of laughter and applause.
• One panelist mentions his Eastern bloc film training in Russia, prior to UNTAC. We’ve seen a lot of change since then.
• Discussion of a ‘career track’ for Filmmakers: there are film courses but more of a professional path is needed.
• Closing songs by ‘Small Word – Small Band’.  We should totally have live music at every  BarCamp. Local creators should support … local creators in other media.

Photos and updates on Facebook: http://www.facebook.com/filmcampkh

Addendum #2
Why should you host a meeting/conference/’camp’ in Cambodia?
Because Cambodia has a growing, enthusiastic base of experienced conference facilitators/volunteers and an enthusiasm to connect with the international community.

What are the advantages?

1.    It’s cheap.
2.    You can conduct your meeting in English. It’s the ‘lingua franca’ of tech meetings and the internet, in part due to its late implementation of Khmer language Unicode for the Internet in 2005. It’s not Singapore exactly, but everyone seems to be engaged in improving their English. There is no nationalist bias towards Khmer language.  Locals are appreciative when visitors make an effort to engage with local language and culture.
3.    Unless you’re holding a political rally, the government is pretty ‘hands off’.
What are the disadvantages?

1.    Cambodia is full of surprises in terms of infrastructure. A traffic jam or a power cut can always throw plans for a loop. Scope out your venue, have a backup plan in mind.
2.    The Cambodian hospitality industry is growing. Visitors will find a warm welcome, but some conveniences you might expect in the Western world may be less available.

(Num Pow is a cooked bun with meat inside, also seeming to be the name of the monster.)
Very rough translation:
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Sentiment, Love, Funny – Fright, Horrific, Gooseflesh
Devil worm is killed by bad smell in NUM POW

Devil worm scares everyone all time!!!
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(Higher resolution picture here.)
Right, anyone up for Saturday Matinee?